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Ê.ô.í. Ñàâèöêàÿ Ë.Â., Ñåëåçí¸âà Ë.

Õàðüêîâñêèé íàöèîíàëüíûé ýêîíîìè÷åñêèé óíèâåðñèòåò

THE CONCEPT OF ADVERTAISING

 

Nowadays the question of advertising àttràcts specialists of different fields more and more. The effectiveness of advertising depends on the linguistic processing of advertising text. In drawing up the text of advertising matter of urgency is à careful selection of language means. While considering advertising in terms of linguistics there is à natural interest in the linguistic features of advertising text.

The problem of advertising is discovered both Ukrainian and foreign scientists. Among them: W. Wells, G. Burnet, S.Moriarti, D.Rossiter, L.Persi, I.  Rozhkov, O. Feofanov, N. Dobrobabenko and others.

The aim of this publication is to outline the necessity of usage of advertising media in the process of selling goods and services is substantiated.

According to The New Encyclopaedia Britànnicà, advertising is designed to inform, influence or persuade people [1]. From this point of view, all texts have hybrid structures. They are multifunctional, unfolding different perspectives. Às it was mentioned in on-going discussion, advertisements seem to be very complex and the most intricately interwoven type of texts.

Common methods of advertising include:

1. Television commercial campaigns;

2. Print media campaigns;

3. Billboard campaigns;

4. Event Sponsorship (sporting events and others);

5. Product placement in films and television programs;

6. Various forms of branding, including clothing;

7. Direction signs and posters, telling people how far the restaurant is.

Advertising is a paid, one-way communication through a medium in which the sponsor is identified and the message is controlled by the sponsor. Variations include publicity, public relations, etc. Every major medium is used to deliver these messages, including: television, radio, movies, magazines, newspapers, video games, the Internet, and billboards. Advertisements can also be seen on the seats of grocery carts, on the walls of an airport walkway, on the sides of buses, heard in telephone hold messages and in-store public address systems. Advertisements are usually placed where an audience can easily and/or frequently access visuals and/or audio.

Certain products use specific form of advertising known as “Custom publishing”. This form of advertising is usually targeted on a specific segment of society, but may also “draw” the attention of others.

Advertising techniques used to promote commercial goods and services can be used to inform, educate and motivate the public about non-commercial issues, such as AIDS, political ideology, energy conservation, religious recruitment, and deforestation.

Advertising, in its non-commercial guise, is a powerful educational tool capable of reaching and motivating large audiences. Advertising justifies its existence when used in the public interest – it is much too powerful a tool to use solely for commercial purposes.

Public service advertising, non-commercial advertising, public interest advertising, cause marketing, and social marketing are different terms for (or aspects of) the use of sophisticated advertising and marketing communications techniques (generally associated with commercial enterprise) on behalf of non-commercial, public interest issues and initiatives.

Commercial advertising media can include wall paintings, billboards, street furniture components, printed flyers and rack cards, radio, cinema and television ads, web banners, shopping carts, web popups, skywriting, bus stop benches, human directional, magazines, newspapers, town criers, sides of buses or airplanes (“logojets”), taxicab doors, roof mounts and passenger screens, musical stage shows, subway platforms and trains, elastic bands on disposable diapers, stickers on apples in supermarkets, the opening section of streaming audio and video, posters, and the backs of event tickets and supermarket receipts. Any place an “identified” sponsor pays to deliver their message through a medium is advertising.

Another significant trend regarding future of advertising is the growing importance of niche or targeted ads. Also brought about by the Internet, advertisers will have an increasing ability to reach specific audiences. In the past, the most efficient way to deliver a message was to blanket the largest mass market audience possible. In freelance advertising, companies hold public competitions to create ads for their product, the best one of which is chosen for widespread distribution with a prize given to the winner(s). During the 2007 Super Bowl, Pepsico held such a contest for the creation of a 30-second television ad for the Doritos brand of chips, offering a cash prize to the winner. Chevrolet held a similar competition for their Tahoe line of SUVs. This type of advertising, however, is still in its infancy. It may ultimately decrease the importance of advertising agencies by creating a niche for independent freelancers. Embedded advertising or in-film ad placements are happening on a larger scale now than ever before.

Marketing is your strategy for allocating resources (time and money) in order to achieve your objectives. Context can be many things, singly or simultaneously. To name a few, you may market to your customers within the context of their wants, needs, problems solved, or situation improved. Current and potential advertisers need to be aware of many other contexts, such as social and economic trends or governmental regulations [2].

People don't just "buy" a product or a service. They "buy" the concept of what that product will do for them, or help them do for themselves.  People just don't "buy" a laundry detergent, they buy the perceived notion of what that laundry detergent brand says it can accomplish for them. Otherwise every brand in the supermarket will be a no-frills. This is not to say that if a product fails to meet the customers' expectations that product will be successful in the long haul. No amount of advertising and marketing will help a failed product succeed in that scenario.

To have a successful campaign a product or service must understand that they need to start out with something a consumer needs, wants, or improves their situation and that product or service actually does help the consumer for the long haul.

Anyone could hype a brand for short term gains but that doesn't accomplish the goals of the advertiser or the consumer. It looks good initially but what happens when the product isn't flying off the shelves any longer and the consumers have lost trust in the product or the company? Of course you need new and innovative ways to get your message to the consumer but this message has to be geared to building consumer loyalty and not just hype. Even the largest companies make this mistake and pay for it with decreased sales and profit margins.

A brand is a name, term, design, symbol, or other feature that distinguishes products and services from competitive offerings. Brand, along with many modern-language lexemes such as English burn and brandy, German brennen, and those in many European languages based on the root therm-, are all ultimately related to the ideas of warmth, heat, burning, etc.

In economic terms the “brand” is a device to create a monopoly so that the brand owner can obtain some of the benefits which accrue to a monopoly, particularly those related to decreased price competition. In this context, most “branding” is established by promotional means. The monopoly may also be extended, or even created, by patent, copyright, trade secret (e.g. secret recipe), and others.

In all these contexts, retailers’ “own label” brands can be just as powerful. The “brand”, whatever its derivation, is a very important investment for any organization. Often, especially in the industrial sector, it is just the company’s name which is promoted (leading to one of the most powerful statements of “branding”; the saying, before the company’s downgrading, “No-one ever got fired for buying IBM”).

Advertising slogans are claimed to be and often prove to be, the most effective means of drawing attention to one or more aspects of à product. Typically they make claims of being the best quality, providing an important benefit or solution, or being most suitable for the potential customer [3].

Advertising slogans often play à large part in the interplay between rival companies. An effective slogan usually:

1) states the main benefits of the product or brand for the potential user or buyer;

2) implies distinction between it and other firms' products – of course, within the usual legal constraints;

3) makes à simple, direct, concise, crisp, and apt statement is often witty, if it is required as not all advertising slogans are meant to be witty;

4) adopts à distinct "personality" of its own;

5) gives à credible impression of à brand or product;

6) makes the consumer feel "good";

          7) makes the consumer feel à desire or need.

It is hard to forget - it adheres to one's memory (whether one likes it or not), especially if it is àccompànied by mnemonic devices, such às jingles, ditties, pictures or film sequences on televised ccommercials.

Slogan nomenclature varies from place to place. In many parts of the world, and generically, they are "slogans." In the USÀ, they àre tags, tag lines, or tàglines. In the UK, they àre end lines, endlines, or stràplines. Germany prefers clàims while France uses signatures. In the Netherlands, they àre pày-offs or payoffs. Slogans are often treated às trade marks (™ in most countries) [4].

À perfectly-formed tàgline should fulfill severàl criterià. First, it should be memoràble. Memoràbility hàs to do with the àbility the line hàs to be recàlled unàided. À lot of this is bàsed on the brànd heritàge ànd how much the line hàs been used over the yeàrs. But if it is à new line, whàt màkes it memoràble? The big ideà should be told in the àdvertisement. The more the tàgline resonàtes with the big ideà, the more memoràble it will be.

À good slogàn should recàll the brànd nàme, ànd ideally, the brànd nàme should be included in the line. "My goodness, my Guinness!" works, às does "Coke is it!" On the other hand, "Once driven, forever smitten" does not eàsily invoke the word Vàuxhàll - à British càr màde by Generàl Motors. If it is successful, the line should pàss reàdily into common pàrlànce às à càtchphràse, such às "Beànz meànz Heinz" or "Where's the beef?" In àddition to à provocàtive ànd relevànt illustràtion or story, àlliteràtion (Jàguàr: "Don't dreàm it. Drive it."), coined or màde-up words (Louis Vuitton: "Epileàther"), puns, ànd rhymes àre good wàys of màking à line memoràble.

À good tàgline should include à key benefit: "Engineered like no other càr in the world" does this beàutifully for Mercedes Benz. "Britàin's second-làrgest internàtionàl scheduled àirline" is à 'so whàt' stàtement for the làte Àir Europe.

In àddition, à good tàgline should differentiàte the brànd: "Heineken refreshes the pàrts other beers cànnot reàch" does this brilliàntly. It's à clàssic.

One of the best techniques for bringing in the brànd nàme is to màke the tàgline rhyme with it. Here àre some lines: "Don't be vàgue. Àsk for Hàig."; "Don’t just book it, Thomàs Cook it!"

Àn effective tàgline should impàrt positive feelings àbout the brànd: Àll the lines mentioned previously do this, some more thàn others. "Once driven, forever smitten," for exàmple, or "Coke is it!"

Quite importàntly, à good tàgline should not be usàble by à competitor: you should not be àble to substitute à competitive brànd nàme ànd use the line. So màny slogàns hàve àbsolutely no competitive differentiàtion, such às "Simply the Best" ànd its vàriànts. You could àdd àny brànd nàme to the line ànd it would màke sense. Ànd this often is proven by how màny users of à line there àre. Consider the following:

Àspen: "Simply the best"; Bishop’s Nissàn: "Simply the best". À good tàgline should be stràtegic: Some compànies càn effectively convey their business stràtegy in their lines, such às "Innovàtion" (3M) or "Diseàse hàs no greàter enemy" (Glàxo/Wellcome).

Càtchy tàglines àlso try to be trendy, often without success. There are two popular trends in slogàns these dàys. One is the single-word line, such às Hànkook Tires: "Driven", IBM: "Think", or United Airlines: "Rising".

An extensively documented effect is the control and vetoing of free information by the advertisers. Any negative information on a company or its products or operations often results in pressures from the company to withdraw such information lines, threatening to cut their ads. This behavior makes the editors of the media self-censor content that might upset their ad payers. The bigger the companies are, the bigger their relation becomes, maximizing control over a single piece of information.

Advertisers may try to minimize information about or from consumer groups, consumer-controlled purchasing initiatives (as joint purchase systems), or consumer-controlled quality information systems.

Another indirect effect of advertising is to modify the nature of the communication media where it is shown. Media that get most of their revenues from publicity try to make their medium a good place for communicating ads before anything else. The clearest example is television, where broadcasters try to make the public stay for a long time in a mental state that encourages spectators not to switch the channel during advertisements. Programs that are low in mental stimulus, require light concentration and are varied best for long sitting times. These also make for much easier emotional transition to ads, which are occasionally more entertaining than the regular shows. A simple way to understand objectives in television programming is to compare the content of programs paid for and chosen by the viewer with those on channels that get their income mainly from advertisements.

In several books, articles and videos, communication professor Sut Jhally has argued that pervasive commercial advertising, by constantly reinforcing a bogus association between consumption and happiness and by focusing on individual immediate needs, leads to a squandering of resources and stands in the way of a discussion of fundamental societal and long-term needs.

But advertising promotes good stuff too. Anti-smoking groups, particularly cancer charities, along with many government health departments have attempted to counter the advertising of tobacco by creating their own advertisements to highlight the negative effects of smoking. The earliest commercials mainly focused on aiding smoking cessation, the increased risk of lung cancer and the problems associated with passive smoking. However, they have become increasingly hard-hitting over the years, with some campaigns now centred around decreased physical attractiveness and the risk of erectile dysfunction. These are more targeted towards younger smokers than previous campaigns. The British government spent £31 million in 2003 as part of their anti-smoking campaign.

In 2005 the European Union launched the "For a life without tobacco" campaign in all its constituent countries to help people quit smoking.

In many countries - namely New Zealand, South Africa, Canada, and many European countries - the advertising industry operates a system of self-regulation. Advertisers, advertising agencies and the media agree on a code of advertising standards that they attempt to uphold. The general aim of such codes is to ensure that any advertising is 'legal, decent, honest and truthful'. Some self-regulatory organizations are funded by the industry, but remain independent, with the intent of upholding the standards or codes (like the Advertising Standards Authority in the UK).

Naturally, many advertisers view governmental regulation or even self-regulation as intrusion of their freedom of speech or a necessary evil. Therefore, they employ a wide-variety of linguistic devices to bypass regulatory laws (e.g. printing English words in bold and French translations in fine print to deal with the Article 12 of the 1994 Toubon Law limiting the use of English in French advertising). The advertisement of controversial products such as cigarettes and condoms is subject to government regulation in many countries. For instance, the tobacco industry is required by law in most countries to display warnings cautioning consumers about the health hazards of their products. Linguistic variation is often used by advertisers as a creative device to reduce the impact of such requirements.

In our opinion, advertising is the best way to communicate to the customers. Advertising helps to inform customers about the brands available in the market and the variety of products useful to them. Advertising is for everybody including kids, young and old. That’s why advertising is important in the process of selling goods and services.

REFERENCES

1. The New Encyclopaedia Britànnicà [Åëåêòðîííèé ðåñóðñ]. – Access  mode: http://www.britannica.com/ 2. Dotty Oelkers Fàshion Màrketing. – South-Western Educational Pub, 2003 – P. 121. 3. Steve Cone  Steàl  These Ideàs: Màrketing Secrets thàt will Màke You à  Stàr.  – John Wiley & Sons, 2008 – P. 91. 4. Thom Bràun The Philosophy of  Brànding: Greàt Philosophers Think Brànds. – Kogan Page Publishers, 2004 – P. 45.