Filologiczne nauki
The art concept of
the historic figure In the Kazakh dramatik art
Shapauov Alibi
Kazahstan.
Kokshetau State University n.a. Sh.Ualikhanov.
Ph.D, associate professor
literature. E-mail: shapau@mail.ru
Scientific novelty research is defined
by that for the first time in the Kazakh literary criticism the problem of the
art concept of the historic figure on a material of the Kazakh dramatic art is
investigated is system and in a complex, since the plays concerning a stage of
formation the Kazakh drama, and finishing products of modern dramatic art, that
is the century way of development of drama system is tracked, featuures of
expression of author`s vision of an epoch and the person are revealed,
developments of action, disclosing of the conflict, a problem of
intrasssspecific classification dramaturgic and adjaaaacent with them genres of
art in aspect of realllization of the art concept of the person specific to a
drama art means and receptions are analyzed vaule and features of plot making
up, composite structures.
The purpose of research is the
analysis and revealing of the cores is artaesthetic tendencies in formation and
defelopment of the Kazakh historical dramatic art, disclosing of an originality
of author`s approaches in art realization of a problem of the heroic person,
studying individual features creative laboratories of playwrights during
mastering by specitic meansss and receptions of the image, characteristic for a
drama sort of the literature.
The object of research is presented by
is art-aesthetic integrity of the Kazakh historical dramatic art in a
social-cultural context as reflection of the concept of national history.
Literary analysis covers ``Enlik-Kebek``, ``Khan Kene``, ``Abai``of M. Auezov,
``Kyzyl Sunkarlar``of S.Sejfullin, ``Kozy Korpesh-Bayan sulu``, ``Amangeldi``of
G. Musrepov, ``Shokan Ualikhanov``of S.Mukanov, ``Dala dastany``of S. Mukanov
and M. Auezov, ``isatai-Makhambet``of I.Dzansugurov, ``Makhambet``of Slanov, ``Ulan
asu``of K. Bekhozhin, T. Ahtanov, ``Abylai``of A. Kekilbaev, ``Ablai khan``of
S. Zhunusov.
Hypotthesis of research. The concepts
of historical individuals bekame the art achievemeny of drama expressing the
most significant tendencies of literary and social development. Kazakh
historical drama is being developed in the aspect of art aesthetic reveallllihg
of relatiionship of hisstorical indiviiiidual activities in connection with
public aspiiiration, to public movement.
Methoodoloogical
and theoretical basis work are works of visible scientists on history and
theories of dramatic art, the modern researrches, devoted to the problems of
poetics historicism and gerne features of a drama; scientific concepts of
Aristotle, Belinsky, A. Bajtursynov, M. Auesov, devoted to revealing of
sppecification and laws of a drama
sort of the literature.
The theoretical and practical
importance of work is definel by the contribution to the theory and practice of
dramatic art. The given research fillsblanks in the field of little-studied
problems of the Kazakh literary criticism concerning poetics, a gerne, the art
concept of the historic figure in the Kazakh dramatik art. The complex of the
queestions put in dissertation work, is of interest for the theory of dramatic
art as a whole and Kazakh, in particular; for research of problems of an
aesthetics of product; development of practical employment under the theory of
dramatic art; thechers of the Kazakh literature, the theory of the Kazakh literature, critics, culturologists,
historians, philosophers.
Provisions and conclusions containing
in research, can be used at a writing of textbooks and manuals under the Kazakh
literature for students of high schools, average educational institutions. The
main provisions, carrying on protection
1. The art concept
of historical persons appears as one of the major art-aesthetic tendencies in
formation and develoment of the Kazakh dramatic art, the main aspects of them
are reflection by means of dramatic life of Abaj, Shokhan, Akhan Seri.
Interpretation in a drama of an image of the heroic person - Ablai khan,
Kenesary, Abulkhair khan, Makhambet, Isatai, etc.
2.Specific features
of author`s concepts of the person in dramatic art of visible masters of an art
word - M. Auezov, by S.Sejfullin, I. Dzhansugurov, S.Mukanov, Musrepov,
K.Bekhozhin, Slanov, T.Ahtanov, A.Kekilbaev, S.Zhunusov are analyzed.
3. Correlation of
art aesthetic structure of Kazakh drama with reforming of paradigm of national
culture and art was in reserve of forming of dramatical sort of literature as
national system.
4. Development of
the Kazakh historical dramatic art is characterized by intensity of the is
art-aesthetic searches which have expressed in mastering new genre making by
elements, features of speech making, development of action of a drama,
structure of subject and composite systems of drama product.
5. Scientific
concepts in the field of dramatic art have played art opening of M.Auezov
forming role in registration of a literary context of an epoch, in develoment
of genres new to the Kazakh literature-tragedies,film-dramas, the script, a
drama, a comedy.
6. The historicism
of thinking of the Kazakh playwrights, use of pathos, character, a principle of
psychologies, tradition and innovative decision of creative realization of the
concept of the historic figure became a basis of a high level of dramatic art
in all its genre versions.
7. Creative
approaches in the speech organization of structure of a drama, many aspects
uses of dialogue, a monologue, retorts, notes in individual forms of expression
were reflection of is art-aesthetic searches in art display of the person by
means new to dramatic art.
8. The art
innovation of the Kazakh playwrights who have addressed to the person as the
spokesman of tendencies of a public life is revealed. Elites as object of
research of the play of the Kazakh masters of a word was the next step, a logic
part in a long way of development of historical dramatic art, in searches art
means of comprehension and expression of the concept of national history.