Filologiczne
nauki
KAZAKH NATIONAL DRAMA
OF THE 1920-s OF THE
XXth CENTURY
Shapauov
Alibi
Ph.D, associate professor literature. Kazahstan.
Kokshetau State University n.a. Sh.Ualikhanov.
E-mail: shapau@mail.ru
The
present work is devoted to the artistic-aesthetic peculiarities of national
play-writing, which defines it's particular place in the cultural and spiritual
peoples' life.
The
means of formation, development, and significant achievements are shown in this
research work. It's well known that play-writing of Kazakhstan in XXth
century was developing during hard time for the country. In spite of this,
play-writing of Kazakhstan made a significant progress. To prove this it's
necessary to say that plays written in those hard years are still valuable in
our days. They are wide recognized, have an air of folklore and meet all the
requirements set by genres of play writing.
The
object of the research. Play-writing works of the 1920-s are examined in the
aspect of ties with literal-critical articles on theatrical art. The role of
play-writing and its development as the branch of literary sciences in the
1920-s; to study the place and importance of literary criteria paying attention
to the denres theory;
The
aim of the research. To consider ways of the development of literal science in
the sphere of artistic and play-writing critics, showing the character of
literal development of plays, defining their artistic ieve] and value.
The
role of play-writing and its development as the branch of literary sciences in
the 1920-s; to study the place and importance of literary criteria paying
attention to the genres theory; Research methods. Such methods as
chronological, system-comparative and the method of scientific description are
used in the analysis processor literal material. The results of the research:
-It becomes clear, that
play-writing of the 1920-s, which had formed in difficult periods of national
history, didn't break-off it's growth and took it's own solid place;
-The level of
play-writing conflict and inner psychology in the plays of the 1920-s is
marked; ./.
-Artistic skill of
representation of characters of play-writing works, ots originality and
peculiarity in opening of inner life of heroes are shown;
-Value and significance
of artistic-critical play-writing of the 1920-s are considered;
-Marks to critics' of
theatrical art reviews and to level of play-writing critics are given.
The actuality of
this research learning a new genre of play-writing through the plays of
M.Quezov, S.Seifullin, B.Mailin, Zh. Sharon, Zh. Aimautov. The plays of K.Kemengeruly, S.Baigozbmily, A.Nakymzhanov,
M.Dauletbayev, Zh.Oteulin have made a foundation of the new professional play
writing.
The
consists of the introduction, four parts, conclusion and list of the used
literature. Scientific novelty of this research is that the work mentioned
issues of psychologism in play writing for the first time.
The
importance and novelty of the research, the aims and subjects of the
investigation are given. Theoretical and practical significance of dissertation
are also done. The first part is devoted to the analysis of genre nature of
tragedy.
Conclusions about skills
of play-writers are investigated in the second part.
The
third part deals with artistic methods of comedy genre and in the fourth part
historical place of Kazakh literal critics, ways of growth and influence on
literal process of national critics, formation of critics of theatrical art are
noticed for the first time here.
The level which the critics of play-writing have
achieved is highly appreciated by the critics of theatre art. The articles
"of well-known theatre critics as" M.Dauletbayev, M.Kashekov, A.
Aisarin are researched for the first time.
Theoretical
importance of the research.. Character of appearance, formation of play-writing
works of the 1920-s are become clear in this dissertation. Their gull research,
role and place in the history of the Kazakh literature are analyzed too.
The
guild of application. The main content of the dissertation is reported on four
international and Republican scientific-theoretical conferences and is
published in three papers,
Area of application.
Scientific results achieved and materials in this dissertation work can be used
in special courses, special seminars,. secondary schools for senior students on
Kazakh literature in the XX. century as well as higher educational institutions
on history, Kazakh literature and history of
Kazakh critics.
Large
possibilities and new spheres of perspective of deeper research of common and
private issuer of literature study are
opened in this. Conclusions and results of the work are factual and
scientifically proved. Research
perspectives This has important
scientific-theoretical, educational, artistic - training, aesthetical -
cognitional significance. There is perspective of further investigation in
history and theory of literature, theatre and literal critics.
LITERARY
1.
Auezov M. Kazakh drama.
Uakit zhane adebiet. Kazakhstan. Almati. 1962.
2.
Baitursinov A. Adebiet
tanitkish. Kzilorda. 1926/Almati. 1991.
3.
Zhumaliev K. Adebiet
teoriasi. Kazakhstan. Almati. 1941.
4.
Nurgali R. Drama oneri.
Monografia. Kazakhstan. Almati. 2001.
5.
Shapauov A. Dramadagi
dastur. Monografia. Kazakhstan. Pavlodar. 2004.