“Ïåäàãîãè÷åñêèå íàóêè”/5.Ñîâðåìåííûå ìåòîäû ïðåïîäàâàíèÿ.
Ê.ôèëîñ. í. Ñóâîðîâà
È.Ì.
ÔÃÁÎÓ Ïåòðîçàâîäñêèé
ãîñóäàðñòâåííûé óíèâåðñèòåò, Ðîññèÿ
On the issue of correlation of
pedagogical traditions and innovations in modern school education
Education
modernization processes, which today are aimed at Russia’s integration into the
European educational space, naturally suppose resolving the issue of efficiency
of certain pedagogical innovations.
In the
21 century being educated means not only being able to use computer
technologies of getting and processing information, but also developed skills
to analyze, evaluate and form this information – to work conscientiously and
responsibly in the information space of the modern world. This ability is possessed only by persons with a
sustainable system of world outlook, and the task of modern school is to give
such a system to its graduates. This is why dealing with education reforms one
cannot apply production and economical criteria and tools. Only such
educational system is efficient which is well-fitted into the cultural
tradition of the country [2], is correlated to its national mentality and is
aimed at forming an individual learning about the cohesive picture of the world
with regard to individual abilities and aims. In this instance, the idea of the
picture of the world and a person’s place in it is the ontological aspect of
the educational system. This system cannot be borrowed; it is built within one
culture by efforts of professionals, theorists and practitioners of education.
One of the real areas may be popularization and implementation of the
philosophical model of the Russian school – “culture-creative”. The
culture-creative school model offers solutions for a whole set of modern
educational and social-psychological problems of epistemological and
axiological nature. This model equips
its pupil with substantial criteria of professional choice, forms integral
world outlook of students including a system of knowledge about nature,
culture, society, human beings and oneself, i.e. cultural and social
self-identification. The core factor in the subject field of the
culture-creative school is formation of the student’s self-awareness which is formed
thanks to the efforts of teachers of all subjects working the sets of
multi-subject classes organized in the algorithms of meta-methodological
approach (the way of uniting subject methods). The school name itself was
developed by the Philosophy Doctor, Professor, Corresponding Member of RAE,
Head of Department of Aesthetics and Ethics of RSPU A.I. Herzen – A.P.
Valitskaya [1]. Successful approbation of the model in schools of St.
Petersburg, Leningrad region, northern Caucasus, Volga region, Siberia, and the
Urals proved the viability of the culture-creative school in the realities of
modern Russia. Starting from 2006, this model is introduced in the educational
process as a form of experiment in Derzhavinsky Lyceum of Petrozavodsk. The
developed multi-disciplinary modus includes integration of humanities and
natural-mathematical sets of 13 subjects uniting over 35 teachers of the
Lyceum. But implementation of the model does not provide for traditional
methods of integration of separate subjects, since its innovative nature is
based on the philosophical idea of forming a holistic picture of the world for
the student from the point of view of achievements of all sciences. There is a
certain dialectical interconnection between traditions and innovations in the
contents and methods of education. Tradition is the basis for consistency; its
positive pole is directed at the rising of forces and strengthening qualities
of the system. The negative pole of tradition not changing with times is
directed at lowering the system qualities. Innovation also has two poles: rejection,
competition and confrontation, as well as the positive pole: borrowing and
positive interaction with other systems. According to the laws of dialectics,
counter action is equal to action by volume. Based on this, traditions are
strengthened with mutual strengthening of innovations. The dialectical nature
manifests itself so that in the long run traditions of past time are replaced
by new traditional statements (former innovations). Therefore, if a tradition
(in this case, integration) is connected to the innovation (culture creative
school model) by its active positive pole, then their action is strengthened,
developed, modified and logically leads to the change of objects. During the periods of intensive processes of
unification and globalization of society (as in the situation of today), the
dialectical change of traditions and innovations is obvious. The obviousness of
the urgency of the culture-creative school is determined by the struggle in
modern education for the formation of the holistic scientific picture of the
world, for “open mind”, for connection with spiritual traditions (F. Frebel),
for basic culture as “superiority of the spiritual” (B. Nemensky) for
anti-dogmatic thinking (A. Bluim), for “comprehensive meditation”, but not
"calculative thinking” (M. Heidegger).
Thus,
“sprouting” of perspective innovations with regard to the best traditions of
domestic education corresponds to requests of today and logically fits into the
processes of education modernization.
List of references:
1. Valitskaya A.P. A new school of Russia: a cultural study school model.
St. Petersburg, 2005. – 146 p.
2.
Khagan M. S. Philosophical theory of value.-. St. Petersburg -
1997.-205p.