Art’s management
Raimkulova Aktoty
The
basic elements of budgeting and financing cultural projects
Keywords:
IFNM – International festival
of New music
Synopsis
Proceeding from
relationship between costs
and selling prices, classification of social projects
is given in the
article, and also
peculiarities of budgeting social non commercial projects
have been revealed. List of
possible income categories,
specifically possible in organization of cultural projects has
been considered.
Financial planning and proper financial
control are important aspects of
organizing any project, even if the
project noncommercial, social and it is
clear, that the project won’t be profitable, and in the column income probably there would be
zero. It is important for managing director to understand not only the relationship between costs and selling
prices or income but to have financial
information that “loss” (total cost of
the project) doesn’t exceed admissible level.
In this aspect we can list the following classification of social
projects:
·
Profitable projects
·
Self supporting projects
·
Projects with expected profit
·
Nonrevenue –generating project
Consider
short characteristics of each project.
Revenue – generating project aimed at earning money. These are commercial projects -
concerts, festivals, auctions, sport competitions, conferences and etc.
Self supporting projects - from
the beginning , according to the aim of
the project, financial benefit
isn’t envisaged. In project planning foreseen to bring together the
level of costs to the level of project income.
In this case good audience regulation qualification is entrance fee
which provides presence of interested people. These projects are held with scientific
and other professional aim.
Projects with expected profit – expense
projects for organizations.
Selling of main goods and services ( promoting actions,
press conferences festivals, holidays, opening
new trading centers and etc.).
Non revenue – generating projects -
don’t pursue commercial aims,
but nevertheless, organization on certain reasons conduct them: organization
jubilee , celebrations, receptions, corporate parties.
It is obvious, that successfully
held non commercial, social project which meet organizers expectations will
bring non material achievements that is
why sometimes payoff. According above
mentioned classification, chosen as
research object non commercial project of Kazakh national academy of music
“International festival of New music “
Nauryz 21”, will be referred to
projects with expected profit .The idea of
the given project covers different aspects of culture development program of RK: young talent support, master
classes of foreign specialists,
introduction of advanced musical technology, propaganda of classical
and modern art in the country.
In planning budget it is necessary to set real financial tasks ( to
earn, cover expenses, to hold down expenditures on a certain level taking into account the following rules of
planning:
-
to plan budget flexibly, stipulating several scenario on algorithm “ if -then”;
-
planning and
approving budget it is necessary to exert all power fulfill it without
any changes;
-
to envisage
unforeseen expenses which are
buffers of budget;
-
from the beginning approve understandable to all realistic methods of
project assessment;
Consider some factors influencing on project budget. In drawing up a budget it is necessary to observe balance of creative and financial
planning. Even on the stage of creative planning of ideas and money it is important to correlate with real opportunities. It is necessary to define
financial philosophy of organization
related to the project, especially
important to clear out participation of the organization in it.
Consider the list of
possible income categories, possible in organization cultural projects.
Category “income” includes the following types.
Registration fee – participators pay for possibility to
participate.
Selling tickets on mass events concerts, exhibitions tec. From financial point, in this case uncertainty level high as far as
tickets are sold before the
event, we can suppose about quantity
of sold tickets.
Sponsors help. Sponsorship – is a link between sponsor and event, he sponsors events by
cash or other way. Sponsors may
be financial, informational and
technical, their help or assistance is
wide spread, real type of income. Availability of sponsors suppose additional expenses connected with
execution of obligations related to
them. Fees of technical sponsors considered to income (expense), as saved funds are equivalent to earned ones.
To be exact, the level of income is
equal to expense which would be
produced , if we didn’t work with technical
sponsors. The same with
informational sponsors.
Advertising revenue. The
project can be interesting
area for advertising of other
companies and it is necessary to sell
this opportunity. This might be stand
allocation, distribution advertising leaflets, placing advertiser on different medium.
Rent of space - source of income
for exhibition organizers, but it can
be a source for other projects.
Commissions. Concluding contract
about commissions under
occurrence of certain conditions. For
example, hotel or restaurant, café for placing order there you can
have commission or bonus
to place an order.
Booking hotel rooms, conference halls
work to earn commissions.
Second opportunity – if company makes advertising on our project or if
outside company trades on territory where project event is held, gets
from our participants or clients
order. As far as it is difficult to control this , either we trust this
company or conclude agent agreement with it.
Barter deals. Barter deals not always
technical sponsorship. Sponsorship supposes the whole package of
services including sponsor’s
advertising , besides barter
deal relatively simple operation. We
can cut expense part of the budget,
providing services in exchange to
partner’s product.
Grants, subsidies –financial source in carrying out a project on government order or public organization.
Other incomes. As in an
entrepreneurship , other categories of income
limited by legislation.
Financial sources of cultural
organizations are divided into three
groups: attracted funds, state funds and own funds. Charity, sponsor
funds, fund subsidies, membership fees refer to attracted
financing.
State
financing joins direct and indirect
government subsidies. Own funds include revenues from the main and
commercial activity.1.
Sources of financing of the
First festival in 2004 were off-budget, very limited funds of
Kazakh national academy of music after
Kurmangazy, in 2006
financial sponsor of the Second
festival was national company “Kazmunaigaz”, technical sponsors - hotel “Almaty”, restaurants “Aventus”,
“Govindas”, informational sponsors – Kazakhstani press club, journals “Guide”, “Camerton”.
Some
transport and accommodation expenses of
foreign musicians were covered by
Embassies of the USA, France,
Israel at the First festival, Almaty
akimat supported the project and promoted the part of the printing production of the
festival.
From above mentioned list of source financing activity of cultural
establishments appears the problem of attracting and
accumulating funds from different sources
for practical management.
Technology of its solution interesting. Technology of fund rising is more is not only activity on attracting
additional funds to culture, it is one of the parts of new principle of work and existing of culture organizing in the society, their
close cooperation with external world, openness and transparency, ,
partnership and mutual aid.
If the task of fund rising
concrete flow of funds on project realization , then this type is called project find rising. This is
convenient form of attracting
funds. It is explained by availability of
clearly defined aims of fund
using, possibility to attract financial sources at low expenses on fund rising, and
also to receive commercial benefit
from project financing.
Understanding project approach,
its essence in fund rising activity of
public corporation plays an
essential role nowadays. Of
course, knowing project principles and using it skillfully allows to reach significant results in attraction resources of any
type, but project approach
plays great role as
the way of organization all
activity of corporation or initiative
group to reach socially important aims. It allows to clarify the main tasks on solving of which resources
attracted, to assess efficiency
of offered mechanisms for solving tasks
and forecast results. Having
clear action plan and
opportunity to analyze investment “profitability ” , potential source of necessary resources make
corresponding solution whether to give money to social
organization or not. First of all
it refers to authority, taking
decision to allocate budget to support organization, charity , taking
decision about financing project application or offer.
Corporative sector as additional
fund source in culture plays
an important role in Kazakhstan. Nowadays for many cultural
organizations business sector
funds are prevailing and hardly the
only source of off – budget
financing. To some extent it is explained by lack of
information about other sources of financing and absence of skills to work with them. However, the main reason is possibility of
business sector compared to
other forms of off-budget support , private contributions, subsidies of charity
funds or special programs of co
financing initiated by government well
developed in the west . As far as it is
early to say , that charity
tradition in Kazakhstan well
developed, support of culture and
art by individuals is
not crucial factor. Majority of charity funds acting on the territory of
Kazakhstan, oriented to solving social problems, only a few
individuals are ready to support projects in cultural sphere, but it doesn’t mean it isn’t necessary to improve work in this direction, if fund risers have fantasy,
enthusiasm , they can invent effective
schemes of cooperation. However, from the point of financial resources, corporate
sector on the given stage is priority source of non government
financing for culture organization,
that is why it is important to know it and work with it
professionally.
Literature:
1.
Tulchinsky G.L., Shekova E.L.
Management in sphere of culture.
Publishing house “ Lan”, 2007,
p.528.
2.
Michael W.Newell. Preparing for the project
management professional (PMP) exam. Published by AMACOM. New York. 2007. p.112,
218.