Abdurakhmanova
Rano Kosimovna
teacher of Andijan
region Kurgan district ¹ 41
of some of the subjects studied in a deep state boarding school German (Republic of Uzbekistan)
TASKS OF DEICTIC UNIT IN ARTISTIC TEXT
Summary: This article deictic units the function
of art, learned the importance of understanding the essence of the text. As the
importance of language in the system. Language, this process provides the
artistic content of the text efficiency and productivity. Artistic text - this
is the opposite of being real and extensional its deictic units feature
important.
Key words: deictic units, the
paradigm of art, text, speech communication.
Today, the
essence of functional unity of the language for the development of linguistics
and cognitive experiments to potential important role in the process. As a
vehicle of communication in the language of the linguistic analysis of the use
of these principles in studying the laws of the text is based on the complexity
of the semantic structures. That is why the process of understanding the
cognitive approach to the essence of the text and the meaning of the feature deictic
unit.
Detailed
interpretation of functional and cognitive paradigm language text
ekstralingvistik reality (ideological, social, and psychological factors, as
well as communicative pragmatics and the author's cognitive system and the
target device) is considered as a specific discourse.
Art literature on
this concept of "artistic text" carried out as part of the text, and
also signs of distinctive (at a time) to cover his features. In addition Z.Ya.
Turaeva text "systemic and individual unit" as a rule, creating text
individuality, "the artistic image is the result of continuous variativism
," he said.[1] Literature
not only philologists, philosophers, poets, teachers, and all specialists in
the humanitarian sphere, he added, "we learn from the life of the
literature," we can talk point of view has been formed as a glance[2].
Yu.Ì. Lotman,
"art" in their work, "the ability to include information aimed at
a high level texts existing mechanism is considered as a separate image[3]”.
The text of the
artistic power is limited by time and place, because of its nature secret, but
not unique. This is a great work of art over the centuries lose their
relevance, but also to be interpreted in a different time and to be accepted.
G.Gegel
"literary work (text) consists of complete life events, it is not based on
the object itself, but the conditions will be for us, so that any work of art
that man standing in front of the window[4]"
G. Gegel in this opinion later Dyugai also said. He started the work of Yu.Ì. Lotman
and "it is not a passive process of dialogue text content generator",
according to[5]. Later,
"the text needs interlocutors, as an idea generator and generator",
and that the opinions expressed[6].
Therefore N.S. Olizko "artistic text by the author stressing the process
of student activities eloquence, literature asserts that it is participant in
the dialogue. The text, not as a results of creative activity in the last, but
also reflects the area of the reader and the author's verbal dialogue[7].
Text created by the author of the leading art-filled experience in various
aspects of artistic creativity linked to regulatory and internal hierarchy without
artistic complete information inevitably shaped by a complex system of
classification[8]. All of the
relationship between art texts includes language, social and cultural policies,
aimed at students in languages and a cultural activity of the vehicle reflects
the types and ways of thinking. Will be organized on the basis of the knowledge
of the art text the following:
· • pop-up (in
support of the idea of fairness, in accordance with the facts and events);
· • literature
related (case of texts, methodological and theoretical knowledge);
· • Language
(phonetics, language, standards, etc.) [9].
"Art
as" the specifics of the concept, and we are not the only ideas in the
scientific literature. For example, V.G. AdMob, "said the series to be
expressed in the form of an artist who truly understand their inner
feelings," he said.
V.A Pishalnikov
text is the aesthetic value of art was directed to work with verbal
communication, it is in the process of receiving it. According to
V.P.Belyaninning literary text - "the opposite of truth, the contents of
the essence behind the text".
As a result, the
classification based on the text of art will be aware of the following cases:
· • describes the
author's mind and emotions through the prism;
· • message reader
represents an aesthetic point of view of the recipient.
Thus, in contrast to other types of texts literary text antropotsentric
of the recipient of the active role of the subject. Mind and activities are
reflected through the prism of the author, the text can be in accordance with
the perception holders. Text holders - "to describe the relationship
between the employer, the author's concept point of view, the position of the
value of the route, the formation of a message sent to its readers” [10].
The
text of the artistic model "text between the stated objective ways to
evaluate the quality of the objects and text reality forms and items are
reported as a result of the contest is based on the author's attitude towards
the objective expression of subjectivity, communicative and semantic
category" is considered as[11].
Art communications model to determine the outlook of the author's artistic
mantle, and it determines the aesthetic point of view.
Many
studies of text art features, antropotsentrik and socially divided the
recommendations.
According
to Å.À. Goncharov, antropotsentrik art as a text file which can occur in the
center of three:
· • author-creator of
a work of art;
· • Action person;
· • reader and
artistic work "creator”.
In
other words, the text will be organized by the human person and the subject of
his most people, this is his show antropotsentr.
Yu.M.
Lotman according to the analysis of the different aspects of the art of the
text turns are discussed in the framework of the measure antromorf. Feature two
of its characteristics is carried out as a part of life and it certain that
this will be in accordance with Universum Box[12].
"Mnemonic-art
text" is not only a generator of new texts, but also in the cultural
memory of microprocessors, and has the ability to store the text in memory in
the context of the previous”[13].
- "Art during the reading of the text is converted to the level of its
convenient proximity to the reader," which "turned by the original
author and academic pragmatic literary texts by parks" [14].
Text
is the text in line with the image of antropomorf its topological structure of
the development and the image of the remote. In a different way, because this
image is formed under the influence of structural and cognitive paradigms,
according to the Office of the text is in accordance with art terminological,
"structure" as the concept of "distance" and
"areas", including "semiosfera" and
"kontseptosfera" concepts.
Structural
paradigm is essentially formed as a multi-storey space semiotik, we will talk
about the elements of the scale of semiosfera conglomerate. It will complement
the cultural border semiotik simultaneous appearance of space and working
conditions semiotik structure[15]..
Within
the cognitive paradigm O.P. Vorobyov text "concept that the network card
and the concept of space, which is dominated by the public that a particular
individual or as a logic explains”[16].
Artistic
text from a social time, on the one hand and social functions. Then there is a
live social force, each element in the form of clearly defined social.
Every
artistic text is the author's opinion about the environment in which the
author's imagination and thoughts together. So, art text to speech structure individual
features include all the elements are mutually connected with a
one-construction of the unique work of art. Purpose outlook and attitude of the
author in accordance with his intensity the suspect in accordance with the
mentality of the recipient's mental and psychological projection of the world
through the prism of the major categories. Taking into account these aspects of
artistic text, giving you the chance to address the psychological processes of
analysis, its "imaginary mechanism" and a huge cognitive potential.
Taking
into account the development of modern theoretical linguistics "text
language" deyksis content of the text, and the text of the speech
communication system, hereinafter referred to as the logical and linguistic
generalization, and its relationship with the deyksis deictic expressions and
their role in the formation of the text to speech and deyksisi the formation of
the text options, space and time deyksis’ and their role in the formation of
emotional deyksis, social and deyksis graudonimiya (level) in the text to
explore the content of specific brands.
As mentioned above illustrate deyksis reflected in
the main roles Pronouns groups. Pronouns, in turn, a person other than the
three characters, such as rod category on the basis of the difference.
1) The soldier stopped and sales down ... He looked
at me, then stool up [17].
2) My father had a small estate in Nottinghamshire;
I was the third of five sons. He sent me to Emanuel College…
The above represents a person's eating deyksis both.
The first sentence, the word sentences or people on the ground to eat diamond
represents the deyksis case. The second sentence, the word follow the words of
ownership sentence represents a single diamond.
Mainly characterized by the following categories and
we will monitor deictic.
1) noun in the nominative case.
Gino was a patriot, so he said things that separated
us sometimes, but he was also a fine boy and I understood his being a patriot.
2) with the pronouns.
a) He said, Makera hoped it would come before
the bombardment started.
b) Representing the person and the object some, any,
somebody, one, another, something, anything like suspect pronouns:
Yesterday, anybody stayed at the bus stop then I look
at her suddenly I knew that my friend Bashorat.
So deyksis is also widely used, such as syntactic
units. The artistic content of the text efficiency and productivity of
executives.
References.
1. A.N. Kryukov Antinomy in translation theory and their resolution / A.N.
Kryukov // Collected scientific works of Moscow State Linguistic University,
1996 -. Vol. 426. - P. 100-111.
2. A. Camus
rebellious man / A. Camus. - M .: Publishing House of Political Literature,
1990. - 414 p. 73
3. Y.M.
Lotman Inside minded worlds. Man - text - semiosphere - History / Y.M. Lotman.
- M .: Publishing House of the NRC, 1996. – 464 p. 281
4. E.M.
Vereshchagin Lingvostranovedcheskogo theory words / E.M.Vereschagin,
Kostomarov. - M .: Russian Language, 1980. - 320, 273-274.
5. Ivin
A.A. Foundations of logic evaluations / A.A.Ivin. - M .: Nauka, 1970. - 294 p.
171.
6. Dridze T.M.
Text activity in the structure of social communication / T.M.Dridze. - M .:
Nauka, 1984 - 268 p. 38.
7. Brandes
MP Style and translation / MP. Brandes. - M .: Higher School, 1988. - 127 p.
96.
8. V.G. Gak
Comparative lexicology: on a material of French and Russian language. Tutorial.
- 2nd ed. / VG Gak. - M.: Publishing house "International Relations",
1989. - 264 p. 28.
9. A.F.
Losev The form. Style. Expression / AF Losev. - M .: Publishing House of the
"Thought", 1995. - 944 p. 21.
10. Bulygin
T.V. Language conceptualization of the world (in Russian grammar material)
/T.V.Bulygina, A.D.Shmelev. - M .: Publishing House "Russian Culture
Languages", 1997. - 574 p. 281-282.
11. Ernest
H. A Farewell to arms. Leningrad. 1971.
25.
[1] A.N. Kryukov Antinomy in translation theory and
their resolution / A.N. Kryukov // Collected scientific works of Moscow State
Linguistic University, 1996 -. Vol. 426. - P. 100-111.
[2] A.
Camus rebellious man / A. Camus. - M .: Publishing House of Political
Literature, 1990. – 414 p. 73
[3] Y.M. Lotman Inside minded worlds. Man - text -
semiosphere - History / Y.M. Lotman. - M .: Publishing House of the NRC, 1996.
– 464 p.. 281
[4]
Vereshchagin E.M. Lingvostranovedcheskogo theory words / E.M.Vereschagin,
Kostomarov. - M .: Russian Language, 1980. - 320, 273-274
[5] Y.M. Lotman Inside minded worlds. Man - text -
semiosphere - History / Y.M. Lotman. - M .: Publishing House of the NRC, 1996.
– 464 p.. 427
[6] Y.M. Lotman Inside minded worlds. Man - text -
semiosphere - History / Y.M. Lotman. - M .: Publishing House of the NRC, 1996.
– 464 p.. 429
[7] Ivin A.A. Foundations of logic evaluations /
A.A.Ivin. - M .: Nauka, 1970. - 294 p. 171.
[8] Y.M. Lotman Inside minded worlds. Man - text -
semiosphere - History / Y.M. Lotman. - M .: Publishing House of the NRC, 1996.
– 464 p. 269-270
[9] Dridze T.M. Text activity in the structure of
social communication / T.M.Dridze. - M .: Nauka, 1984 - 268 p. 38.
[10] Brandes MP Style and translation / MP. Brandes.
- M .: Higher School, 1988. - 127 p. 96.
[11] V.G. Gak Comparative lexicology: on a material
of French and Russian language. Tutorial. - 2nd ed. / VG Gak. - M.: Publishing
house "International Relations", 1989. - 264 p. 28.
[12] Y.M. Lotman Inside minded worlds. Man - text -
semiosphere - History / Y.M. Lotman. - M .: Publishing House of the NRC, 1996.
– 464p.. 238
[13] A.F. Losev The form. Style. Expression / AF
Losev. - M .: Publishing House of the "Thought", 1995. - 944 p. 21.
[14] A.F. Losev The form. Style. Expression / AF
Losev. - M .: Publishing House of the "Thought", 1995. - 944 p. 94
[15] A.F. Losev The form. Style. Expression / AF
Losev. - M .: Publishing House of the "Thought", 1995. - 944 p. 4.
[16] Bulygin T.V. Language conceptualization of the
world (in Russian grammar material) /T.V.Bulygina, A.D.Shmelev. - M .:
Publishing House "Russian Culture Languages", 1997. - 574 p. 281-282.
[17]
Ernest H. A Farewell to arms. Leningrad. 1971. 25