Aubakyrova
K.K.
PhD
student of Al-Farabi Kazakh National University, Kazakhstan
THE MAMLUK SULTANATE AND IT’S CONTRIBUTION TO THE ISLAMIC
CIVILIZATION
Reign of the
Mamluks in Egypt can be evaluated in different ways - from bright to dark.
However, it is undoubted that Mamluks gave a new impulse to the development of
Islamic civilization.
The Mamuks ruled Egypt, Syria and neighboring areas
for two and a half centuries, from 1250 (648) until 1517 (923). The Mamluks first appeared in the Abbasid caliphate
in the ninth century. Their dynasty was extinguished by the Ottomans and even
after their overthrow by the Ottomans they continued to form an important part
of Egyptian Islamic society and existed as an influential group until the
nineteenth century. They destroyed the Crusader kingdoms of Outremer, and saved
Syria, Egypt and the holy places of the Islam from the Mongols. They made Cairo
the dominant city of the Islamic world in the later Middle Ages, and under
these apparently unlettered soldier-statesmen’s rule, craftsmanship,
architecture and scholarship flourished [1]. The
Mamluks under the command of Sultan Baybars defeated the Mongol-Tatars in the
Battle of Ain Jalut . In 1268 they were defeated by the Crusaders. During the
period of the mamluks social and cultural life in sultanate was raised [2].
Mamluks reorganized management system to improve
the economy and the dominant form of land tenure became iqta - land
grants for state and military service. Increased the number of waqf land,.
bequeathed for religious and charitable purposes. Actively developed domestic
and foreign trade with Eastern countries and with the European states (Genoa, Venice, France, Byzantium).
And today the period of the Mamluk Sultanate is
a very interesting area of the history and it is widely studding by many
scholars. Mamluk or Mameluke (مملوك) in Arabic means “white slave”. But
scholars of the Mamluk Sultanate generally give different interpretations of
the meaning of the term Mamluk in different sources. In the history the Mamluks
became famous as warriors. History is full of mysteries. Even the time of
appearance of the Mamluks does not converge. Authors of books on history
mention different dates. There is evidence that in the army of the Seljuk Turks
at Mantsikertskom battle that took place in 1070, attended by the Mamluks. In
this battle with the Byzantines in the army of Sultan Alp Arslan was 4000
Mamelukes.
It is here argued
that these assertions are based on a misconception of the term mamluk as used
in Mamluk sources. The term mamluk has a double meaning: slave and servant, and
it frequently expresses subordination, obedience and servitude. In the free
encyclopedia Wikipedia it is written that Mamluk
(Arabic: مملوك
mamlūk (singular), مماليك mamālīk (plural),
meaning "property" or "owned slave" of the king; also transliterated as mamlouk, mamluq, mamluke, mameluk, mameluke,mamaluke or marmeluke)
is an Arabic designation for slaves [3].
James Waterson defined in his article that the word Mamluk means 'owned’ and the Mamluks were not
native to Egypt but were always slave soldiers, mainly Qipchak Turks from
Central Asia. In principle (though not always in practice) a Mamluk could not
pass his property or title to his son, indeed sons were in theory denied the
opportunity to serve in Mamluk regiments, so the group had to be constantly
replenished from outside sources. In looklex
encyclopedia "Mamluk" is Arabic
for white slave, and the word is related to the word for king, malik indicating
that a Mamluk was a slave owned by the ruler of a state. Mamluks were slaves
that were meant to form a solid foundation for the ruler of country. Tribal
frictions and a weak state, had resulted in numerous revolutions in many sates
[4]. The definition of Mamluks as slaves was never changed, not even when the
Mamluks became sultan. But the ownership definition was changed and the Mamluk
organization was understood as the real owner of the slaves.
We define that the mamluk is
white slave-warriors, trained to professional military service. The backbone of
the Guard of the Sultan. You can say - it's the forerunner of today's
professional armies composed of mercenaries. Services of mercenaries used army
of the Persian king Darius, the emperors of Rome and Byzantium. From the ninth till the
twelfth century the words Mamluk and Gulyam were synonymous with the concept of
"white slave." From the thirteenth century slave-soldiers who served
in special units of the army, became known as the Mamluks. In those days it was
educated people, many of them achieved high ranks. A temporal ruler, a Mamluk
sultan typically began life as a young slave purchased outside the realm.
Trained by a Mamluk amir (or emir, commander) as a highly skilled warrior, he
formed an enduring alliance with fellow Mamluks in his patron's household, was
converted to Islam and manumitted, and any of them had the opportunity to
impose himself as the next sultan.
Mamluk history is divided into
two periods based on different dynastic lines: the Bahri Mamluks (1250–1382) of
Qipchaq Turkic origin named after the location of their barracks on the Nile
(al-bahr, literally "the sea," a name given to this great river), and
the Burji Mamluks (1382–1517) of Caucasian Circassian origin, who were
quartered in the citadel (al-burj, literally "the tower").
Name of the first one due to the
fact that the sultans of this dynasty originally belonged to the Turkic peoples
wandering in the Black Sea steppes, while entering into the Golden Horde , the
Mongols conquered them captive and sold into slavery by Italian merchants and
they took out their sea (Arabic bahr) and sold the Egyptian sultans.
The Bahri reign defined the
culture, science, art and architecture of the entire Mamluk period. In this
period mamluks of Egypt spoke in the Kipchak language, which is confirmed by historical facts. This is
primarily a language dictionaries and glossaries Mamluk compiled in XI-XV
century in Cairo. In the Mamluk era Turkic languages were
virtually identical, except for slight variations of dialect, which is
confirmed by data of dictionary Mahmud of Kashgar. This linguistic unity was
preserved until the XX century. For many centuries in the steppes of Eurasia
dominated various associations of the Turkic peoples: The Attila, the Avar
Khanate, Turk Empire (first and second), the Great Bulgaria, Khazars, Cumans,
the Golden Horde. As noted above with the change of the ethnonym, (name of
tribal associations) language is not changed. In the Guard Mamelukes included
representatives of various Turkic peoples, it is clearly seen in the personal
names of the Mamluks.
Turkic languages in Egypt have been the subject of many manuscripts. Known
for such works as "Mukaddimat al-adab» (XII c.), An anonymous Arab-Persian
and Turkic-Mongolian dictionary, "Al-al-kavanin kulliya lidapt
al-lugat-it-Turk" Dzhemaldina al-Turki, "Bulgatul Mushtag"
(XIVvek), al-shuzur az Zahabiyava al gat yl Ahmadiyah "Phil
lugat-it-Turk" (XV century), and others. http://buday.narod.ru/gl4.htm
During the reign of the Mamluk
sultans were created many artistic and literary works in the Kipchak language,
but unfortunately, only a few copies of them were reached us. For example, the
poem "Khosrow and Shirin", written in the Kipchak language is a
single copy which is kept in the National Library of Paris. The author of this
work was from Dashti Kipchak. In 1391 Saif Sarai completed his famous work
"Gulistan bit-Turki" which was dedicated to the Egyptian Emir Tayhasu
Turkic origin. The most important work which was written in the Kipchak
language in Egypt is the poem "Iskandername". It describes the events
of the XIV century.
Many representatives of Turkish
literature of the Golden Horde for one reason or another moved to Egypt and
continued their creative and social activities there. For example, Mahmoud Ibn
Fatshah Sarai (1374 ), Ruk ad-Din al -Krymi (1377 ), Saif Sarai ( 139b ), Ibn
Muhammad Al -Crymi (1377 ), Shikhabeddin Sarash (known as Maulana Zadeh Al-
Ajami 1398), Mahmud Sarai Gulistani (1398), Mahmoud Sarai Al-Kahiri (1399),
Berke Fakih and many others. From this list it should be noted that most of the
poets and writers of that time in Egypt came from the Central Asia.
Thus, the Turkish Mamluks in Egypt were not notable only for the
battlefield, as skilled warriors, but also made a huge contribution to world
literature, poetry, medicine and architecture. Despite periods of internal
struggle there was huge artistic and architectural activity which developed
artistic techniques that established by the Ayyubids and deeply influenced
different parts of the Islamic world. Mamluk decorative arts, especially enameled and
gilded glass, inlaid metalwork, woodwork, and textiles were prized
around the Mediterranean as well as in Europe. The influence of Mamluk
glassware on the Venetian glass industry is one of many examples. Mamluks, had great
achivements for both Islamic world and entire human’s history and astronomy. Eminent astronomers such İbnü’şŞatir
and İbnü’s-Sarrac were brought up in this period. Also Yusuf İbn
Tuğhan, Ahmed İbn Timurbay, Baylak el-Kıpçaki, Taybuga
el-Baklamşi and his son Ali İbn Taybuga and Seyfeddin Satılmış
who we decided when glancıng their names were Turkic origin and
contributors of astronomy science in that period .
The reign of mamluks initiated
the patronage of public and religious foundations that included madrasas,
mausoleas, minarets and hospitals. Such endowed complexes not only ensured the
survival of the patron's wealth but also perpetuated his name in the history.
Besides the immense and splendid complex of Hasan and Qala’un, there were other
important commissions by Bahri Mamluk sultans including al-Nasir Muhammad
(1295–1304). These structures were emulated by high-ranking officials and
influential emirs who built similar foundations, such as the complex of Salar
and Sanjar al-Jawli (begun 1303) and the emir Shaykhu (1350–55). An example of
architecture is one of the most beautiful mosques in Egypt Fustat, which was
built by the governor of Egypt Ahmad ibn Tulun in Cairo in 879. Also, there
were magnificent monuments Mamluk architecture which gave the impression of a
medieval Cairo, including dozens of mosques.
One of these achievements is the
creation of the first Arab-Kipchak dictionary. There were other dictionaries
created in Egypt, one of which was devoted to four languages: Arabic, Persian,
Turkic and Mongolian. It was written in Arabic script in 1245 in Egypt. There
were about 2.5 thousand words in this dictionary. Purely practical work
"Explanatory book on Turkic language" was written by Athir ad-Din Abu
al-Haya Garnati. He wrote several books on grammar, phonetics and vocabulary of
the Kipchak language. But only one of his work "The book, written for those
who want to study Kipchak languages" written in 1312 is reached us. A
feature of this work is that in a brief preface to the dictionary was used a list of references by the author, which are not reached us. Among
them mentioned the book "Light Shine" of Ala al-Din Al- Beylik
Kipchaki, written in XIV century [5].
As we know the cultural
environment does affect people, and Islamic civilization , had and still has
great potential for the development of peoples, as exemplified by the former
steel and mercenaries to help the Muslims not only stopped the Mongol invasion
and expelled the Crusaders, but revived former glory of the Caliphate in
various fields, including culture and science [6].
Though the Mamluk realm was soon
incorporated into the Ottoman
empire (1517), Mamluk culture continued to inspire Ottoman and other
Islamic artistic traditions [7].
REFERENCES
1. Koby Yosef. El
tårmino mamluk y la condición de esclavo durante el
sultanato mameluco. Al-Qantara XXXIV 1, 2013, pp. 7-34.
2. James Waterson. The
mamluks. History today. March 2006. Pp. 21-27.
3. http:// en.wikipedia.org/wiki/Mamluk
4. http://i-cias.com/e.o/mamluk.htm
5. Anvar Agaev.
Zaslugi mamlukov pered musulmanskoi sivilizasiei. http://www.islam.ru/content/history/1685
6. Yalman, Suzan. "The Art of the Mamluk Period (1250–1517)". In
Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art,
2000–. http://www.metmuseum.org/toah/hd/maml/hd_maml.htm (October 2001)
7. Abdollah Kahill. The sultan Complex in Cairo, 1357-1364: a case study in
the formation of mamluk style. Wûrzburg: Ergon in Kommission; Beirut: Orient-Institut Beirut, 2008. 436
pp.