Alaeva G.T.
Ph.D., assistant professor of "Jurisprudence and
International Law"
"Turan" University
Legal description of the
copyright license agreement in accordance with the legislation of the Republic
of Kazakhstan
Annotation. One
of the most common ways to implement copyright is the transfer thereof to the
contract. Among the most important sources of legal regulation of copyright
contracts today is highlighted CL of the RK. However, it has only the basis for
a conclusion of a copyright contracts, in general, the principle of freedom of
contract allows to the owners of copyright to more fully exploit the
opportunities arising from the creation of such work.
Key
words:
copyright contract, license agreement, intellectual property, copyright, concession,
alienation.
Legislation of
all countries provide the transfer of copyright under contract with the author
of the work or the transfer of these rights by inheritance. The general
principle is that the "moral" rights is not subject to transfer.
Copyright contracts are diverse: publishing contracts, contracts about the transfer,
contracts on the film adaptation and etc.
V.A. Khokhlov
writes: "The name reasonably considered conditional, because, for example,
on the side of the author may be heirs, who, of course, are not the authors.
However, such name is justified by the logic of the genesis of any rights in
this sphere, since without author authority does not arise"[1, c.195].
Modern civil law
of Kazakhstan also continues to use the term "copyright agreement".
In our view, this agreement may not be included in a group of contracts on
disposal of exclusive rights, but it is a question of the system of agreements
in the field of intellectual property, which means that it is the subject of
another research.
CC RK does not
contain the concept of a copyright contract. National legislation traditionally
defined certain types of contracts.
For example, the
Civil Code of the Kazakh SSR in 1964 gave a fairly complete definition of two
types of copyright agreement - contract on transfer of work for using and
license agreement. At the same time, in the science of civil law has long been
an ongoing debate over the definition of the copyright contract.
At the same time there
is different points of view, to the point that there was no a large need to
develop a common definition of the copyright contract [2, c.259].
However, developing
the concept of copyright contract is necessary. This would distinguish between
copyright treaties as a civil-legal transactions and agreements on the
establishment of service-related work under the employment contracts, that at
least is quite important for tax purposes, as well as to determine the ratio of
copyright agreements with related agreements, such as the agreement on transfer
of property rights of collective management in accordance with article 44 of
the CL of RK [3] and the contract of trust management of exclusive rights.
The concept of
copyright contract is distinguished depending on which of the particular theory
author adheres. At the present time, as already noted, there were two main
theories of alienation of the author's rights.
This so-called
theory of "concessions, alienation" of copyright and the theory of
"permission". The theory of "concessions ,alienation" of
copyright is that the author may assign the copyright to others in whole or in
part. This theory is related to the countries, following the tradition of
Anglo-Saxon law, where the copyright agreement is considered as "a legal
act, on the basis of which, the copyright owner undertakes to cede any rights
belonging to him, or allow certain actions on the use of copyrighted works; the
author may by the same act completely abandon from owned to him the rights of
non-property nature in respect of the work, or allow to the other contracting
party to take any actions that violate these powers [4, c.10].
In CL of RK author's
contract is defined as a contract, the subject of which is the transfer of
property rights to the use of one or more objects of copyright. The author's
contract is kind of license agreement. Thus, we see that the law considers the copyright
contract as a kind of license agreement.
According to the
copyright license contract, owner (holder) sends to the organization composition
for changing its form, including through the transfer of a ompositio into
another language or alteration, using of the method stipulated in the contract,
within the agreed period by the parties the organization is obliged to pay
compensation for the use, implementation by the agreement. Contracts on the
transfer of the product for using, by contrast, is characterized by using of
the product in the form in which it was created by the author, in terms of
genre and language [5, c.9].
In the Kazakh
legal doctrine copyright agreement has also undergone analysis.
R.J. Abuova
believes that "the copyright contract – is a contract in which the author
transfers or undertakes to transfer to the purchaser right to use his work
under the limits and conditions agreed by the parties" [6, c.7].
Disadvantages of
the above mentioned definition of copyright is obvious, in this definition the
author writes about the transfer of the rights to the purchaser under the
contract, but we know that only the proprietary (exclusive) rights can be
transferred on the basis of the contract; moral rights cannot be transferred
because they are inseparable from the personality of the author.
L.S. Mamikonian
writes that "copyright contract – is a contract that mediates the
transition of property rights of one person (the author, the copyright owner)
to another (the user or purchaser) by a full (partial) assignment or temporary
transfer of exclusive rights and mediating the right to use the product under
the terms of non-exclusive license [7, c.10].
However, in our
opinion, the copyright contract – is a contract about using the works of
science, literature and art, established with a co-author, or his successors,
in the result the exclusive rights to the product are made or granted for fee,
the transmission of which is not prohibited by law.
This definition
allows to set the essential terms of the contract, subject structure, the order
of alienation of the rights to works, i.e. covers both a copyright agreement on
transfer of rights and copyright agreements on granting rights on the exclusive
and non-exclusive conditions, and also allows to delimit royalty contracts from
other related civil liabilities.
Created a composition,
the author is entitled to transfer authority for its use to another person.
These powers may be exercised in different ways. The author may use the work
himself, or allow others to use, or give opportunity to others to determine the
order of using the product.
In accordance
with paragraph 1 of Article 31 CL RK, property rights of the author, referred
to in Article 16 CL RK, may be assigned in whole or in part, or may be
transferred for use by the copyright contract on the transfer of exclusive
rights or copyright contract on the transfer of non-exclusive rights [3].
And in this existed
the biggest conceptual mistake theory of exclusive rights, cannot be
non-exclusive rights, saying about only the existence of the exclusive rights
is right that allow the holder of the monopoly to use legally the property
rights. This license may be exclusive and non-exclusive.
Paragraph 1 of
Article 31 CL RK provides that copyright contracts on the transfer of exclusive
rights, permit the use of the work in a certain way and within the contractual
limits only to the person to whom the rights are transferred, and gives that
person the right to prohibit such use to others. The right to prohibit use of
the work to others can be realized by the author of the work if the person to
whom the exclusive rights are transferred does not exercise protection of this
right [3].
According to
paragraph 3 of Article 31 of the CL RK, copyright agreement on transfer of
non-exclusive rights allows the user to use the product on an equal basis with
the owner of the exclusive rights, transferred such rights, and (or) to other
persons who have received permission to use this product in the same way. [3]
In this case, paragraph 4 of Article 31 CL RK stipulates that the rights
transferred under the copyright contract shall be deemed as non-exclusive,
unless otherwise provided in the contract.
Like any civil
contract, copyright contract has the essential conditions, which are included
in Article 32 CL RK. At the same time copyright contract, according to the same
article, should includes:
1) measures of
using the work (specific rights
transferred under the contract);
2) the period and
the territory for which the right is transferred;
3) the amount of
remuneration and (or) the procedure for determining the amount of remuneration
for each mode of exploitation of the work, procedure and terms of payment and
other conditions that the parties may consider essential for such contract [3].
Analysis of
copyright agreement`s norms allows us to conclude about the its following signs:
compensatory, right-binding and consensual, although it is possible that an
agreement could be real.
One of the major
conditions of the copyright contract is a condition for compensation. In
accordance with CL fee is determined in the copyright contract as a percentage
of revenue for the appropriate use of the product or if it is impossible to implement
due to the nature of the work or the peculiarities of its use - as a lump sum
in a contract or in any other way [3].
Of course, it is
difficult to determine a percentage of revenue, but for the authors it is the
most favorable terms than getting a flat fee, of course, should take into
account the circulation of the work, the authors` interests should not be
violated. Often in the contract may be given compensation based on the number
of realized products.
Another payment
method is taking a certain number of copies of the work by author.
Currently in
Kazakhstan, there are significant differences in the legal regulation of
copyright. We can say that the current legislation of RK also practically
adheres to this concept, defining the copyright contract as a type of copyright
license agreement. However, we have some objections.
We agree that the
licensing agreements relate to the agreement on the transfer of exclusive
rights, because we believe that transfer is possible with regard to the
exclusive rights in whole or in part, so the term does not apply to license
agreements.
According, D.
Borisenko, "a license agreement shall contain an indication of the
protected object, which is the subject of the contract. It is due to the fact
that in compositions are often found versions, repeats and etc. So it makes
sense to specify in the license agreement on the use of repeatedly published
copyright works, what version of the product"[8, c.94].
License
agreements, agreements on the transfer of copyright, contracts on transfer of
related rights apply to contracts for the transfer of rights to use
intellectual property, but are independent. The biggest difference between them
is the object of these contracts, since the object of the copyright contract
can only be the product, license agreements apply to other intellectual
property rights, and, as we mentioned before, the scope of exclusive rights is
changing. Also significant difference, in our opinion, is the fact that the copyright
contract may be concluded only by the author and license agreements may be
concluded on behalf of not only the authors, also copyright holders.
As the object of
a copyright and related rights may be the result of the collective intellectual
property (a collective outcome), definition of which is not existed in the
current legislation. CL RK operates with such concepts as authorship and compilation.
Based on the
analysis of Art. 10, 11, 13 CL RK, can be distinguished agreements on use of
the work created as a result of co-authorship (divisible or indivisible), for
example, in the case of the creation of an audiovisual work, as well as
agreements on the use of certain parts of the composite work.
There are objects
of copyright, the exclusive right to which can have several subjects, for
example, audio-visual works.
Turnover of
audiovisual works in Kazakhstan is complicated, such rules for complex objects
are not provided. Therefore, as L.S. Mamikonyan writes, copyright agreements
for the use of an audiovisual work are established by owners with broadcasters,
distributors (distributors), cinema owners and other persons interested in the
use of the work [7, c.23].
At the same time
the considered objects, being as a result of the collective intellectual
activity, can be combined by one legal regime, defining the features of their
contractual use, but it must be regulated by the contract due to the lack of
legal regulation.
The party has not
performed or improperly performed obligations under an copyright contract shall
compensate the losses caused to the other party, including lost profits.
Thus, the copyright
license contract is a contract on the transfer of rights to use objects of
intellectual property, contract about the use of works of science, literature,
art, concluded with the author or his successors, in the result the exclusive
rights to the product are transferred or granted for fee, transfer of which is
not prohibited by the legislation of Kazakhstan.
At the same time
an analysis of Article 31 of the CL RK leads to the conclusion that the law
distinguishes between the copyright contract on the transfer of exclusive
rights and the copyright contract on the assignment of exclusive rights.
Thus, in
accordance with paragraph 1 of Article 31 of the CL RK, any assignment of
property rights must be made in writing contract signed by the author and the
person who has ceded the property rights. In this case it is necessary to
correctly understand that these are two different contracts: copyright
agreement for the transfer of exclusive rights, which is included in the type
of contracts on the use of exclusive rights to intellectual property objects, copyright
license agreement and the copyright contract of assignment of exclusive rights
relating to the type of contracts on alienation of the exclusive rights.
List of references:
1. Khokhlov V.À. Avtorskoe pravo: zakonodatel`stvo,
teoriya, praktika. 2-å
èçä., ïåðåðàá. è
äîï. – Ì.: Ãîðîäåö, 2012. – 368 p.
2. Sergeyev À.P. Pravo
intellectual`noi sobstvennosti v Rossiyskoi Federaciy: Ó÷åá. – 2-å èçä.,
ïåðåðàá. è äîï. – Ì.: ÎÎÎ «ÒÊ Âåëáè», 2003. – 752 c.
3. Law RÊ dated 10 June 1996 ¹ 6 «On copyright and allied rights» // Âåäîìîñòè Ïàðëàìåíòà
ÐÊ. – 1996. - ¹ 8-9. - Ñò. 237.
4. Klyk N.L.
Okhrana interesov po avtorskomu dogovoru. – Êðàñíîÿðñê:
Èçäàòåëüñòâî Êðàñíîÿðñêîãî
óíèâåðñèòåòà, 1987. – Ñ. 10.
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äèññ. … ê.þ.í.
– Ì.: ÃÊ èì. Ì.Â. Ëîìîíîñîâà, 1980. – 184 ñ.
6. Abuova R.J. Avtorskiy dogovor
v grazhdanskom prave
RK: äèññ. …êàíä. þðèä.
íàóê.: 12.00.03. –
Àëìàòû, 2002. – 145 ñ.
7. Mamikonyan L.S. Audiovizual`nye
proizvedeniya kak ob`ekty
avtorskogo prava po
zakonodatel`stvu RK:
àâòîðåô. äèññ….êàíä. þðèä. íàóê.: 12.00.03 / Ìàìèêîíÿí Ëàðèñà Ñóìáàòîâíà. –
Àëìàòû, 2007. – 26 ñ.
8. Borisenko D. Pravovoe regulirovanie otnosheniy mezhdu produserom I avtorami personazhei v
ramkakh litsenzionnogo dogovora //
Õîçÿéñòâî è ïðàâî. – ¹ 1. – 2012. – Ñ. 91–95.