Филологические
науки /Риторика и стилистика
Батырова Г.А.
Региональный социально – инновационный
университет, Казахстан
Literary
dialogue and its stylistic functions
In
our article, a " stylistic function " is defined as the role of specially organized means of language, having a stylistic
meaning, implementing a specific stylistic reference; it is expressive potential of the interacting linguistic resources in the text; it is the correlation between information of
the connotative meaning and structural
elements of the text .
Having examined
the concept of stylistic functions, its types and features, we proceed to the
analysis of a particular material.
Followed by many
researchers in the analysis of linguistic material, we concluded that the
dialogue has the following stylistic functions:
•
characterological - the function of speech characteristics of the subject of
the story ( the author, the narrator ) or character. Its typical
implementation: reflective function of inner speech, which will the psychological characteristics of the
subject through his inner speech; the function which is aimed at easiness,
discreteness thought. This function plays an important role in
uncovering the conceptual information of the text, using the characteristics of
the hero, his behavior, revealing the motives behind his actions. Analysis of
this function helps the reader to penetrate into the inner world of the
character, understand his thoughts and explain his behavior.
The
Gentleman [taking off his hat] I beg your pardon. Can you
direct me to Hindhead View - Mrs Alison's?
The
Young Lady [glancing up from her book] This is Mrs Alison's.
[She resumes her work]
The
Gentleman. Indeed! Perhaps - may I ask are you Miss Vivie
Warren?
The
Young Lady [sharply, as she turns on her elbow to get a good
look at him] Yes.
This dialog
characterizes the hero as a noble
gentleman and well-mannered person.
This can be determined by its appeal to the young lady , using such expressions
like "I beg your pardon", Can
you ...? and "May I ...?" All
these constructions above points
to his polite tone. Moreover, the word "The Gentleman", which in this
case acts as antonomasia relates to so-called "Sounding names", which
is not only the name but it also
entails particular characteristics of the hero.
• emotive -
evaluation – the function of
strengthening the emotions (feelings,
moods), or emotional evaluation of the emotional state of the subject of the
story or character. Typical
implementation of the stylistic function: gaining specific emotions, emotional evaluation or
emotional state. It can be expressed by a negative- evaluation, positive-
evaluation, the function of the lyrical pathos;
Consider
the implementation of emotion - evaluation function of dialogue in the following
example:
Praed ... But it was
so charming of you to say that you were disposed to be friends with me! You
modem young ladies are splendid - perfectly splendid!
Vivie [dubiously] Eh?
[watching him with dawning disappointment as to the quality of his brains and
character].
Praed. When I was
your age, young men and women were afraid of each other: there was no good
fellowship - nothing real - only gallantry copied out of novels, and as vulgar
and affected as it could be.
Maidenly reserve! - Gentlemanly chivalry! - Always
saying "no" when you meant "yes"! - Simple purgatory for
shy and sincere souls!
In this passage
the author used convergence of various stylistic devices, such as metonymy,
epithet, irony, and lots of exclamatory sentences. Exclamatory sentences
(Maidenly reserve! - Gentlemanly chivalry! - Always saying "no" when
you meant "yes"!) Carry a large emotional significance and serve to
reinforce the impression.
• descriptive –
literary image-bearing function of
describing the thing being reflected.
Its typical implementation: visual-imagery
function; function of the dynamic image; function of creating
the effect of the duration of the action in process, events; the function of focusing on the contrastive images.
Here is another
example, which discloses a descriptive function:
In
the Rectory garden next morning with the sun shining and the birds in full
song. The garden wall has a five-farred wooden gate, wide enough to admit a
carriage, in the middle. Resides the gate hangs a bell on a coiled spring,
communicating with a pull outside. The carriage drive comes down the Middle of
the garden and then swerves 46its left, where at ends in a little graveled
Circus opposite the Rectory porch. Beyond the gate is seen the dusty him road,
parallel with Wall, bounded on the farther side by a strip of turf and an
unfenced pine wood. On the Lawn, between the house and the drive, is a clipped
yew tree, with a garden bench in outs shade. On the opposite side the garden is
shut in by a box hedge: and there is a sundial on the turf, with an iron chair
near it: A Little path leads off through the box hedge, behind the sundial.
The descriptive
function in this example is revealed by the description of nature, which
receives an explicit expression in the text. The passage makes the reader see
the eyes of the author - artist. The general impression is created primarily by
detailing. The author would like to show by this description the calm in the
morning and at the same time its beauty. Perception is very peculiar, full of
concrete images. Throughout the paragraph complete sentences are used.
Propagation can accurately characterize the image, color and the play of light
in the nature.
Literature:
1. Комина
H.A., Коммуникативно-прагматический
аспект английской диалогической речи, Киев, 1984
2.
Bernard Shaw
“Widowers’ Houses”, “Mrs. Warren’s
Profession“,
Moscow, 1950.