Pedagogical and technological design of electronic educational editions in an education system

Kazhikenova S. Sh., Rahimbekova A.A.

Karaganda State University E.A. Buketov

In modern society informatization of education covers all directions of educational activity therefore creation of electronic training materials and their use became a component of educational process in general. Use of electronic training materials creates comfortable conditions for training in the computer environment, habitual for the younger generation. Preparation of such materials in an electronic form easier is perceived by the prepared users and there is no division of information space into segments of active use of information products for leisure and training.

Work on design of electronic educational editions is connected with creation of the interface of the training system, to the available user and educational information, convenient for assimilation allowing "to travel" easily on structure of the textbook and each of trained individually to determine the volume of educational information on this or that plot.

Components of the electronic edition: texts, illustrative material, soundtrack, animation and video. Registration of the textbook has to be exclusively functional. In this regard it is worth paying special attention to its design.

The perception the student of the material stated in the electronic textbook depends not only how it is picked up and in what sequence material moves; what style, and in what manner wrote the textbook but also as it is issued.

At a choice of color scale of the electronic textbook it is necessary to observe harmony of flowers. Numerous researches of the most comfortable combinations of flowers at a conclusion of data to the display screen, revealed a number of parameters for an assessment of quality of display. One of the main is the clearness of perception of color images. Up to the last time was considered that the white background is ineffective in comparison with other colors. However with the advent of the high-quality displays having high resolution it became clear that efficiency of the operator who is reading out black letters on a white background is one third higher, than at working at the color monitor.

Perception of color images on an achromatic background

Color of symbols	Color of a background
	Black	Grey	White
Red	Bad	Excellent	Good
Blue	Bad	Bad	Good
Green	Excellent	Bad	Bad
Cyan	Excellent	Bad	Bad
Crimson	Excellent	Bad	Excellent
Yellow	Good	Excellent	Bad

Perception of color images on a color background

Color of symbols	Color of a background
	Red	Blue	Green	Cyan	Crimson	Yellow
Red	-	Bad	Excellent	Good	Bad	Good
Blue	Bad	-	Excellent	Good	Good	Good
Green	Bad	Excellent	-	Excellent	Excellent	Excellent
Cyan	Excellent	Excellent	Bad	-	Excellent	Excellent
Crimson	Bad	Excellent	Excellent	Excellent	-	Good
Yellow	Excellent	Good	Excellent	Excellent	Excellent	-

The feelings of the person caused in various colors

Color	Feeling of space	Feeling of temperature	Emotional state
Red	Next, close	Hot	Worry
Orange	Too close	Warm	Enthusiasm
Yellow	Close	Warm	Cheerfulness
Green	Distance	Neutral	Calm
Blue	Far	Cold	Calm
Purple	Too far	Cold	Tiredness

However for the manual the black text on a white background is a standard, but not the best option as strong contrast of colors attracts additional fatigue of the trainee. It is possible to avoid it simple selection of color couple the text - a background.

Is suitable for color of the main text universal black though also options are possible (dark brown, dark blue etc.) better. For a background it is necessary to use soft pastel tone, and not continuous filling of a background in the chosen color, and a soft out-of-focus textural background gives the best visual effect.

Within one thematic section color and texture of a background have to remain constants for all pages. Any three colors going one after another on a color circle from 12 parts can become a basis of harmony. The combination flavovirent, yellow and yellow-orange can become an example of an analog combination. As a rule, one of shades dominates.

Any two colors which are located on the opposite sides of a color circle, for example, the blue-orange. Complementary combinations provide the maximum contrast and stability of design. Decrease of a saturation of the making color lowers contrast, but supports balance of composition.

Any color plus two colors lying at the edges of complementary to it colors. Yellow plus red-violet and blue-violet can be an example of a similar combination. The similar combination softens contrast of the complementary color scheme.

Colors of a similar combination lie at tops of the isosceles triangle placed inside a color circle. The combination red, blue and yellow can be an example of similar harmony.

Similar harmony is based on any analog combination plus color which is complementary to average color of the chosen analog scheme.

Combination of two couples complementary colors when the square or a rectangle is formed.

Any color in combination with black, white and (or gray). For example red-black-and-white combination. Similar schemes are exclusively dynamic because of highly contrast of dark and bright areas, the chromatic and the achromatic of shades. It should be noted, however, that use of very light or very muffled colors will be less successful.

When developing design of the electronic textbook at first it is necessary to decide on color scale, use no more than 4 primary colors is optimum.

On process of perception (so, and understanding) the text located on the display screen the whole set of factors, such as width of a text zone, a way of alignment of the text, its arrangement on the screen page, a tracing, style and a font size influences.

All variety of the available fonts it is possible to divide into two big groups: serif types (Serif, for example Times New Roman) and smooth fonts (San Serif — without notches, for example Arial). According to psychologists, the serif type is read easier as to an eye is for what "to be hooked" when reading the text — notches as if serve directing for movement of an eye on letters, and he is tired less.

Visually on the screen text information can be allocated in several ways: place of its arrangement, background, font, its tracing and in the color.

Nevertheless is suitable for color of the main text universal black though also options are possible (darkly brown, darkly blue and so on) better. And here color of its workmate depends on the general chosen color scale.

You shouldn't apply to allocation (semantic emphasis) of fragments of the text the colors which are sharply contrasting with the main text. It is quite enough to use shades of one color, different in saturation. And as the saturation can be regulated visually the size and a type face (normal, bold, italic), the quantity of options of color can also be limited.

The world round us consists of a huge number of objects, forms, paints, sounds various, excellent from each other. At first sight it seems that the similar variety has to be chaotic, but isn't present, the nature strives for harmony, balance. The task of the designer is somewhat similar to a task of the founder of this world - to reach balance, harmony of composition.

Literature

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